Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11889/5743
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Fakher Eldin, Munir | |
dc.date.accessioned | 2018-12-17T06:54:45Z | |
dc.date.available | 2018-12-17T06:54:45Z | |
dc.date.issued | 2012 | |
dc.identifier.citation | Martin Hager (ed.) Islamic art and the museum : approaches to art and archeology of the Muslim World in the twenty-first century. London: Saqi Books. pp. 135-138 | en_US |
dc.identifier.uri | http://hdl.handle.net/20.500.11889/5743 | |
dc.description.abstract | The article discusses the problems of de-contextualization in museum practices and the historian's task to contextualize art works and their meanings in their social environment. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Saqi Books | en_US |
dc.subject | Islamic art | en_US |
dc.subject | Museum exhibits | en_US |
dc.subject | Religions - Manners and customs | en_US |
dc.subject | Druzes - Manners and customs | en_US |
dc.title | A historian’s task : make sure the object does not turn against itself in the museum | en_US |
dc.type | Book chapter | en_US |
newfileds.department | Arts | en_US |
newfileds.item-access-type | open_access | en_US |
newfileds.thesis-prog | none | en_US |
newfileds.general-subject | Arts, Architecture, Music and Sports | الفنون، العمارة، الموسيقى والرياضة | en_US |
item.fulltext | With Fulltext | - |
item.languageiso639-1 | other | - |
item.grantfulltext | open | - |
Appears in Collections: | Fulltext Publications |
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No item.pdf | 7.25 kB | Adobe PDF | View/Open |
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